Old school Easter eggs.

Dan Moi Vietnamese Jaw Harp

Traditional Jew's Harp of the Vietnamese mountain people Hmong. In the studio I always stand for the acoustic instruments, also flutes and recorders, would sound on the record as live and natural as possible. The contrasts are everywhere and every time - day and night, dark and light. They always seem to be against each other, but actually, together they attain perfection. Little flutes fit well together with big (sounded) instruments.
The only definite dates we can rely on for Europe are, therefore, the 13th-century find in Sweden, and the mid-to-late-14th-century images from the seal and the New College crosier. The difference will be recognised when the harp is played. I was amazed at the length and colour of the sound when playing a prototype for the first time.
to playing on a (small and cheap) masterwork, a thing that will please and surprise a lot of experienced players. My personal experience is that most of them are very good, some even excellent. But other people have noticed that some are mediocre or even poor. All the lamellas were hammered by this man himself.
Paul Whiteman wasn't the only 1920s bandleader with Colorado connections. Isham Jones — one of Whiteman's closest rivals at the time — liked what he saw while playing at Denver's Elitch Gardens in the mid-1930s. He began purchasing land around Shaffers Crossing, where he eventually built a modern lodge. Lying in the foothills thirty-five miles southwest of Denver, the Crossing was (and, thankfully, still largely is) little more than a spot on the map.
In Metsatöll's concerts I have an usual SM57 an instrument microphone made by the Shure company for flutes, the rest is up to sound technician. There is one barrier to the acoustic instruments in our live-shows: this "guitars-bass-drums-and-all-the-heavy-metal-stuff". So, we take quite narrow sequence of acoustical sound and make it heard through shifting different sequences in our mixing-equipment. And never get an ideal sound.
For anyone interested in music, this is a nice little museum on the khomus. Howard Levy - Hohner Golden Melody diatonic harmonicas, Piano on Donna Lee”, Fender Rhodes on The Beauty Around Us”, jew's harp and percussion on Epistrophy”. This tour is expected to provide people in Luxembourg an opportunity to get to know about the slice of the latest scene of Japanese contemporary arts and culture and share the mutual understanding in current cultural background.
Here in the Appalachian Mountains mouth harps and fiddles were the most widely used instruments in the region during the 1800's and into the modern times. This inclusion of simple instruments into Appalachian culture has helped spread the use of mouth harps into contemporary music from time to time, and helped spread it's popularity as a kids toy in many stores to this day.
The mouth harp, also called Jew's harp, berimbau, etc, is a musical instrument idiophone small and rather simple. El Búho (Shika Shika, Paris) and Ground (Chillmountain, Japan) take the "Battaki" Tonkori, a Japanese hand-held harp, to their own slowhouse dance floor.
The Japan Foundation sends to show the contemporary dance and music collaborative piece "THECO-zako -THE Performance COncert with COntemporary MUSIC COmposers & a DANCE ChOreographer" to Luxembourg in the end of March 2009, as part of our performance abroad programme to introduce Japanese performing arts overseas.
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